theguardian.com Saltwater damage could see precious historical Buddhist artworks dating back hundreds of years slowly fade entirely from view

by Rebecca Ratcliffe and Navaon Siradapuvadol in NonthaburiWed 29 Nov 2023 02.37 GMT

If you look closely, you can just about see the characters and scenes that once stretched across the walls of Wat Prasat, a temple in Nonthaburi. There’s the dark shape of an elephant’s head, a figure slouching on its back; outlines of swords pointing upwards to the centre of the display; patches of curved roofs.

“The mural used to be more vivid,” says Phra Maha Natee, the abbot of Wat Prasat. Even when he was a novice monk, 20 years ago, the image – which shows one of the jātakas stories that recall the Buddha’s past lives – was easier to understand. “The colour was brighter and sharper,” he says.

The murals offer a glimpse into a past era – a time of prosperity but also social upheaval, when a more empowered nobility had emerged, as did a desire, say historians, for Buddhism to play a more stronger role in reinforcing discipline in society. They date back to the mid or later years of the Ayutthaya kingdom in Siam, which existed from 1351 to 1767, in what is now Thailand and are a treasured early example of the art form.

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